The Flute and Flight: A Composer’s Source of Inspiration by Howard J. Buss

The Flute and Flight: A Composer’s Source of Inspiration

Howard J. Buss, Composer

There is something special about the timbre and agility of the flute that suggests a sonic kinship with birds and the action of flight. Several versions of the creation myth of the Apaches describe how a man, looking for his missing wife, used a flute to transport himself over mountains (“He started away, traveling with a blue flute which had wings … he went entirely around the border of the world.” )1 Prokofiev’s Peter and the Wolf, Saint-Saëns’ The Carnival of the Animals, and Messiaen’s Le Merle Noir arejust a fewexamples of the numerous compositions that associate the flute with the avian world.

As a composer I am inspired by many sources including nature, the human condition, literature, and mythology. Among my compositions for flute with a connection to flight are Pipe Dream for solo flute (written for Kim McCormick) in which birdcalls are interjected to present new melodic and rhythmic ideas and influence the overall development of the work. In “Treetop Capers”, the second movement of Tennessee Suite for flute, viola, and piano (written for Shelley Binder), the character of the music is based on observations of the antics of the songbirds in Great Smoky Mountains National Park. Night Flight for piccolo, clarinet and piano (written for Rebecca Arrensen) depicts an eventful flight of a jetliner that culminates in a section conveying a dramatic descent through heavy clouds and a ferocious thunderstorm. My composition, Dragon Flight for flute and piano (written for Marianne Gedigian) is an evocation of a colorful fantasy world in which a dragon awakens and takes flight.

Some of my compositions for flute have been inspired by outer space and mankind’s relationship to it. A full listing is below; however, the purpose of this article I will focus on two recent works:

Space Renaissance Suite for unaccompanied flute was composed for the renowned Italian flutist, Elena Cecconi. It was inspired by the tenets of the Space Renaissance Initiative, which is dedicated to influencing world opinion to support space travel and to “lift humanity from the cradle of the Earth.” The 4 movements explore imaginary scenarios one may experience during future space travel and the colonization of distant worlds. Through the Portal and Alien Storm musically depict one’s first glimpses of an alien world about to be settled. Introspection and Reaching Beyond address the intriguing opposing mental capacities that allow a human being to tap into his/her inner self to connect with the universe, and also to kindle the desire to reach outward to new adventures and exploration.

Space Renaissance
Alien Loop de Loops

Alien Loop de Loops for flute and electronic recording is a playful and capricious fantasy piece designed to appeal to a wide range of audiences. The title refers to both programmatic and technical elements in the composition. I imagined a flutist standing outdoors during an air show by an alien craft. In the opening section he/she plays unaccompanied, but is then joined by the recording, which contains sounds generated by traditional instruments as well as an “alien” voice, the spacecraft, and various elctronic effects. Technically, the title refers to how the recording was made. It consists of numerous sound loops that combine to form a sonic tapestry that provides the sounds of the air show as well as the accompaniment for the flutist. Sound samples: 1, 2, 3, 4

Below is a list of my flute compositions that are in some way connected to flight. All of these works are published by Brixton Publications.

Commercially-recorded flute works::

Composition / Instrumentation / Flutist / Title of CD / Record Company

Night Flight/ piccolo, clarinet and piano / Lois Bliss Herbine / Take Flight / Crystal

Sound samples: 1, 2, 3

Dragon Flight/ flute and piano recorded / Elena Cecconi / Flute & Piano / Bottega Discantica          Sound samples: 1, 2

Moon Glow/ flute and piano / Elena Cecconi / Sognando lo Spazio / Urania

Sound samples: 1, 2

Pipe Dream/solo flute / Kim McCormick / Twilight Remembered / Capstone

Sound Samples: 1, 2, 3

Stellar Visions/ flute and marimba / Kim McCormick / McDuo / Ravello

Sound samples: 1, 2

Other works:

Composition / Instrumentation / Flutist for which it was written

Space Renaissance Suite/ solo flute / Elena Cecconi

 (Sound samples above)

Alien Loop de Loops for flute and electronic recording/ solo flute / Elena Cecconi 

(Sound samples above)

Cosmic Portraits/ versions for flute, clarinet, alto sax & tenor sax; and woodwind quartet /    Shelley Binder / YouTube performance:

Constellations for flute, one percussion and piano / Kim McCormick

YouTube performance:

Sky Blossoms  for flute and one percussion / Connie Lane

YouTube performance:

Tennessee Suite / flute, viola, and piano / Shelley Binder

YouTube performance:

1 Pliny Earle Goddard. “Myths and Tales from the White Mountain Apache”

About the author/composer

Howard Buss

Howard J. Buss is recognized internationally as a composer of contemporary classical music. His compositions have received critical acclaim and have been performed in more than 50 countries. Faculty musicians from major universities as well as current and former members of organizations such as The Boston Symphony Orchestra, Minnesota Orchestra, Buffalo Philharmonic, Israel Philharmonic, Berlin Philharmonic, Vancouver Symphony, Atlanta Symphony, New York Philharmonic, Chicago Symphony, etc have performed them. Buss’ more than 170 published works include instrumental solos, chamber music, symphonic, choral, and band works.

Buss has received numerous awards and his commissioned works include original compositions and arrangements. They have been recorded on the Albany, Bottega Discantica (Italy), Crystal, Capstone, DUX (Poland), Equilibrium, HoneyRock, IBS Classical (Spain), PL Productions, C. Alan Publications, Ravello and Urania (Italy) labels.

Howard J. Buss received his B.A. in Applied Music from West Chester University, M.M. in Performance and M.M. in Composition from Michigan State University, and D.M.A. in Composition from the University of Illinois. He is the founder and editor of Brixton Publications (ASCAP) and Buss Publications (BMI), which publish contemporary American concert music.